And it was that simple. I believe that the entire course of Carrie’s arc this season has my complete support. Have 10 episodes stuffed full of moments of utter stupidity just worn me out? I don’t give a damn; I adore rom-coms and am game for any and all story-ending makeouts in elevators.
And to be honest, I’m simply glad to see that the show didn’t disappoint us here after bafflingly declining to give us Miranda’s big Cleveland moment after building up to it for an entire episode. Just to be clear, I’m referring solely to Carrie’s plot; Miranda is still completely out of control.
This Season’s Closing Episode “Seeing The Light”
This season’s closing episode, “Seeing the Light,” is appropriately titled since the Widow Bradshaw has spent the entire time trying to navigate her intense grief. She had already spoken about and been able to see glimmers of optimism, and in this episode, that glimmer grows stronger.
She will still carry her sorrow and heartbreak with her, but now that she can see what’s on the other side of all the suffering, so can we.
There is some hope in the form of the extremely attractive podcast producer Franklyn, who has been waiting behind the glass the entire season to enter and seduce Carrie. Smush faces in an elevator, at the very least.
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Miranda Tried To Dissuade Carrie From Travelling To Paris
However, Carrie’s comeback to romance is nothing compared to how this show utterly destroyed Miranda Hobbes. I’m furious at how she was able to have this episode’s ending.
Sure, dump your sweetheart and begin a new romance, but entirely wreck your career? Coming from the original four’s sole member who was unquestionably the most career-focused? I simply can’t comprehend it.
Someone as brilliant as Miranda would be inclined to pay attention when their best friend and college professor both caution them against committing a major mistake. Instead, she is taking a plane to Los Angeles where she will continue to cheer in Che’s audience.
It is a total 180-degree shift from the end of the series, when Miranda tried to dissuade Carrie from travelling to Paris with Mikhail Baryshnikov. And look how that relationship played out.
Warning: Spoilers Ahead!
A Trip Down Memory Lane
The finale of “And Just Like That…” takes viewers on an emotional journey through the lives of Carrie Bradshaw, Charlotte York, and Miranda Hobbes, who are navigating the complexities of friendship, love, and personal growth in their 50s.
- Carrie’s Journey: The episode opens with Carrie (Sarah Jessica Parker) reflecting on her past as she cleans out her old apartment. It’s a poignant moment that sets the tone for her ongoing process of letting go and embracing change.
- Charlotte’s New Beginning: Charlotte (Kristin Davis) takes a bold step toward a new beginning by adopting a baby girl. Her journey as a single mother is a significant storyline throughout the episode, highlighting her strength and determination.
- Miranda’s Evolution: Miranda (Cynthia Nixon) confronts her own limitations and the impact of her actions on her loved ones. Her journey involves healing, self-discovery, and rebuilding her relationships.
- The Return of Mr. Big: The unexpected return of Mr. Big (Chris Noth) to New York City shakes up Carrie’s world. Their reunion is both heartwarming and bittersweet, as it underscores the enduring connection between them.
Friendship and Support
Throughout “And Just Like That…,” the enduring power of friendship remains a central theme. Carrie, Charlotte, and Miranda navigate life’s challenges with unwavering support for each other. Their deep bond serves as a reminder that friendships are the cornerstone of the series.
- Charlotte and Lily: Charlotte’s relationship with her adopted daughter, Lily, showcases the strength of a mother’s love and the importance of family bonds.
- The Power of Female Friendships: The series emphasizes that friendships among women are essential sources of comfort, understanding, and strength, especially as they face life’s ups and downs.
- Reflecting Real-Life Friendships: “And Just Like That…” portrays the evolving dynamics of friendships as they age, mirroring the experiences of many viewers.
Love and Relationships
Love, both romantic and platonic, is a driving force in the lives of the characters:
- Carrie and Mr. Big: The rekindling of Carrie and Mr. Big’s love is marked by both joy and heartbreak. It illustrates the complexities of love and the impact of past traumas on relationships.
- Miranda and Steve: Miranda’s journey to rebuild her relationship with Steve (David Eigenberg) reflects the idea that love can endure and evolve over time, even after significant setbacks.
- Friendships as Relationships: “And Just Like That…” reminds viewers that friendships can be as meaningful and fulfilling as romantic partnerships.
Personal Growth and Self-Discovery
The characters undergo significant personal growth and self-discovery throughout the season:
- Charlotte’s Independence: Charlotte’s decision to adopt and raise Lily as a single mother represents her newfound independence and strength.
- Miranda’s Healing: Miranda’s journey toward self-forgiveness and healing is a central theme, demonstrating that it’s never too late to work on oneself.
- Carrie’s Transformation: Carrie’s evolution from a writer to a podcaster highlights her ability to adapt and find new avenues for self-expression.
- Exploring Modern Themes: “And Just Like That…” explores contemporary themes such as menopause, gender identity, and the challenges of middle age, emphasizing the importance of embracing change and self-acceptance.
Legacy and Endings
As the episode draws to a close, viewers are left with a sense of nostalgia and reflection:
- Carrie’s Farewell: The final moments of the episode, with Carrie standing on the iconic steps of her old apartment building, serve as a poignant farewell to the past and a hopeful embrace of the future.
- Passing the Torch: The new generation of characters introduced throughout the season symbolizes the passing of the torch to a younger, more diverse New York City.
- Continuing Stories: While “And Just Like That…” wraps up many storylines, it also leaves room for potential future developments and new adventures.
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Final Words
There you have it, your issue. The sequel to “And Just Like That,” “Sex and the City,” is so abhorrent that I genuinely can’t remember if it was a movie at all or just the worst fever dream of all time.
If we’re talking about legacy and the good, the bad, and the ugly of “And Just Like That,” then we must also discuss it. That is not overstating things.
